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PIANO MUSIC AND TRANSCRIPTIONS
Kaikhosru Shapurji SORABJI
Michael HABERMANN
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- Michael HABERMANN Piano
- Maurice RAVEL: Rapsodie espagnole pour piano, transcription de Kaikhosru Sorabji [1945]
- Kaikhosru Shapurji SORABJI: Passeggiata Veneziana, pour piano, basé sur la barcarolle des Contes d'Hoffmann d'Offenbach
- Kaikhosru Shapurji SORABJI: Variation 56, pour piano, extr. des Variations symphoniques, basées sur la finale de la Sonate n°2 op.35 de Chopin
- Kaikhosru Shapurji SORABJI: Quasi habanera, pour piano
- Kaikhosru Shapurji SORABJI: Pasticcio capriccioso sopra op.64 n°1 dello Chopin
- 1 Rapsodie espagnole (transcribed from Ravel): I. Prelude a la nuit
- 2 Rapsodie espagnole (transcribed from Ravel): II. Malaguena
- 3 Rapsodie espagnole (transcribed from Ravel): III. Habanera
- 4 Rapsodie espagnole (transcribed from Ravel): IV. Feria
- 5 Passeggiata Veneziana, based on the Barcarolle from Offenbach's Tales of Hoffmann: I. (Introduction)
- 6 Passeggiata Veneziana, based on the Barcarolle from Offenbach's Tales of Hoffmann: II. Bacarola. Dolcemente languido
- 7 Passeggiata Veneziana, based on the Barcarolle from Offenbach's Tales of Hoffmann: III. Tarantella. Vivo
- 8 Passeggiata Veneziana, based on the Barcarolle from Offenbach's Tales of Hoffmann: IV. Notturnino. Sonnolento, languidamente voluttuoso. Sonorita sempre piena e calorosa
- 9 Passeggiata Veneziana, based on the Barcarolle from Offenbach's Tales of Hoffmann: V. Cadenzetta. Briosissimo
- 10 Passeggiata Veneziana, based on the Barcarolle from Offenbach's Tales of Hoffmann: VI. Ripresa. Con disinvoltura graziosa ed elegante
- 11 Symphonic Variations, based on Chopin's Sonata No. 2, Op. 35: Variation 56: Variation 56. Sotto voce, inquieto e presto sempre. Minacciosamente mormorando.
- 12 Quasi habanera, Op. 8
- 13 BWV 903; 1720 Transcription in the Light of Harpsichord Technique...of the Chromatic Fantasy of J.S. Bach...: I. Chromatic Fantasia
- 14 BWV 948; 1720 Transcription in the Light of Harpsichord Technique...of the Chromatic Fantasy of J.S. Bach...: II. Fugue
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