"Live in Montreal" commences very quietly as a barely audible hiss, which proceeds to build in intensity until the sixteen minute mark, then falls back into silence for a few seconds before advancing into the next movement of the piece. At this point the performance takes on a more scary and sinister shape. Sounds seem to move in all directions. It is absolutely mind blowing what Francisco López is able to achieve using equalization and a quadraphonic speaker set up."
- 1 ...
Abonnez-vous à la newsletter Médiathèque Nouvelle
Nouvelles acquisitions, évènements, activités … abonnez-vous à la newsletter pour suivre notre actualité !